Is Kevin Spacey’s accent as a South Carolina politician in House of Cards any good?
After Season 3 debuted this week, a posting by VOX took him through the wringer. In a little over three minutes, this YouTube video presents a history of Southern accents and intro linguistics, explaining how Spacey’s accent misses the mark. The narrator asserts, “R-dropping probably can’t be the shortcut that actors use in the future to sound Southern.” The video advises, instead, actors try “/ay/-ungliding.”
https://www.youtube.com/watch?v=mgCeH3xovDw
But, the viewers don’t buy it! A revealing critique of this perspective on Kevin Spacey’s performance comes from the citizen sociolinguists who comment on this video. 53 comments have already piled up.
A few agree with VOX, though on terms that wouldn’t be in an Intro Linguistics textbook:
XBLArmory As a southerner I find it interesting but by no means is it authentic; he sounds more like Foghorn Leghorn to me than any real southerner.
But many more disagree. Some point out the show is a performance. There may be deliberate reasons the accent is not right:
Nicodin Bogdan I think it’s interesting to point out that it might not be super correct geographically but maybe this is a trade-off for accuracy versus feel. We feel like Spacey comes off as an old-school, “elite” southern gentlemen and that’s what the show wants.
Echoing this point of view, another commenter suggests Spacey’s verion of “southern” relates to social class:
David Parker That is interesting, however, as a man from the Southern US, his accent is pretty accurate for the background of his character. The video really undercuts the significance of economic status and power and it’s influence on accents in the American South
As ZestyItalian points out, maybe Spacey wants the character to sound a little phony. Ahem, while Spacey is not a linguist, he is a professional actor:
ZestyItalian2… [his accent is] not “off”, per se. It’s just an older accent that’s associated with the southern aristocracy. It’s not extinct- just less common than it used to be. And considering the character background of Frank Underwood- poor boy, self-made man from the small town south- it’s not unreasonable to suggest that he affected a highborn, genteel southern accent, just as Scots and Irish of a certain generation (think Peter O’Toole) affected a semi-aristocratic RP English accent to bolster their careers and statuses.
And trust me- Spacey leaves nothing to chance- least of all something as essential as an accent. Spacey is a technician. One of the most technical of all American actors, in fact. He draws characters out as if they had blueprints or schematics. Nothing he does, physically or vocally, is an accident. And I have a very hard time believing that he didn’t do his research into the specific type of dialect Frank Underwood would have. I’ve always thought he sounded a lot like Jimmy Carter.
Another group of comments point out that labeling things with scientific terminology does not make them into an argument.
Furball Ay-ungliding. So glad I know what that phonetic mechanism is now. [I’m assuming sarcasm here]
And, as this person points out—no matter how scientific VOX attempts to appear with all their fancy sagittal diagrams and lingo, the links to “social class” are specious:
Robert Heinl Cut this out, Vox. No one cares about you or your useless linguistics college major…. youre obviously incapable of making any substantive contribution to society whilst diagramming the posterior oropharynx and somehow linking it to socioeconomic status…
I appreciate the smart relevance of these comments that contest VOX’s sociolinguistic exegesis. Given the nuance that goes into the performance of a fictional character, the VOX video critique seems to me to be analogous to those of Grammandos who assert their grammatical expertise by criticizing people who write the phrase “comprised of” or use the word “literally” figuratively (The Language Experts).
Are Accent Commandos are now taking up that gauntlet? Fortunately, citizen sociolinguists, like these commenters, are out in force, making nuanced points revealing the complex way languages work in social life, the theater, Hollywood, politics –and Netflix.
What do you think of Frank Underwood’s accents? Or others in the public view? President Obama, for example, has also been criticized and mocked (Language Awareness or Linguistic Insecurity?) about the “authenticity” of his various performances of language variety. Why grant authority to the categorical decrees of Accent Commandos? Please comment below!
Citizen Sociolinguistics 